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Effect Block
MOTIF-RACK XS Owner’s Manual
62
Basic Structure
Reference
Voice
Multi Utility
The Controls &
Connectors
Setting Up
Listening to
the Sound
Connections
Using a Computer
Quick Guide
Appendix
Device Selects the device for changing how to distort the sound.
Diffusion Determines the spread of the selected effect.
Direction Determines the direction of the modulation controlled by the
envelope follower.
Divide Freq High Determines the high frequency for dividing the entire sound
into three bands.
Divide Freq Low Determines the low frequency for dividing the entire sound
into three bands.
Divide Min Level Determines the minimum level of the portions extracted via
the slice effect.
Divide Type Determines how the sound (wave) is sliced by the note
length.
Drive When one of the distortion, noisy and slice effects is
selected, this parameter determines the extent to which the
sound is distorted.
When one of the misc effects is selected, this parameter
determines the extent to which the enhancer is applied.
Drive Horn Determines the depth of the modulation generated via the
rotation of the horn.
Drive Rotor Determines the depth of the modulation generated via the
rotation of the rotor.
Dry Level Determines the level of the dry sound (to which the effect is
not applied).
Dry LPF Cutoff
Frequency
Determines the cutoff frequency of the low pass filter applied
to the dry sound.
Dry Mix Level Determines the level of the dry sound (to which the effect is
not applied).
Dry Send to Noise Determines the level of the dry signal sent to the noise effect.
Dry/Wet Balance Determines the balance of the dry sound and effect sound.
Dyna Level Offset Determines the offset value added to the output from the
envelope follower.
Dyna Threshold Level Determines the minimum level at which the envelope follower
starts.
Edge Sets the curve that determines how the sound is distorted.
Emphasis Determines the change of the characteristics in high
frequencies.
EQ Frequency Determines the center frequency for each band of the EQ.
EQ Gain Determines the level gain of the EQ center frequency for
each band.
EQ High Frequency Determines the center frequency of the high EQ band that is
attenuated/boosted.
EQ High Gain Determines the amount of boost or attenuation applied to the
high EQ band.
EQ Low Frequency Determines the center frequency of the low EQ band that is
attenuated/boosted.
EQ Low Gain Determines the amount of boost or attenuation applied to the
low EQ band.
EQ Mid Frequency Determines the center frequency of the middle EQ band that
is attenuated/boosted.
EQ Mid Gain Determines the amount of boost or attenuation applied to the
middle EQ band.
EQ Mid Width Determines the width of the middle EQ band.
EQ Width Determines the width of the EQ band.
ER/Rev Balance Determines the level balance of the early reflection and
reverb sound.
F/R Depth This parameter of “Auto Pan” (available when PAN Direction
is set to “L turn” and “R turn”) determines the depth of the F/
R (front/rear) pan.
FB Hi Damp Ofst R Determines the amount of decay in high frequencies for the R
channel as offset.
FB Level Ofst R Determines the feedback level for the R channel as offset.
Feedback Determines the level of the sound signal output from the
effect block and returned to its own input.
Feedback High Damp Determines how the high frequencies of the feedback sound
decay.
Feedback Level When one of the reverb and early reflection effects is
selected, this parameter determines the feedback level of the
initial delay.
When one of the delay, chorus, flanger, comp distortion
delay, and TEC effects is selected, this parameter
determines the feedback level output from the delay and
returned to the input.
When “Tempo Phaser” or “Dynamic Phaser” is selected, this
parameter determines the feedback level output from the
phaser and returned to the input.
Feedback Level 1, 2 Determines the feedback level of the delayed sound in each
of the 1st and 2nd series.
Feedback Time Determines the delay time of the feedback.
Feedback Time 1, 2, L, R Determines the time of the feedback delay 1, 2, L and R.
Parameter name Description
Filter Type When “Lo-Fi” is selected, this parameter selects the tonal
characteristic type.
When “Dynamic Filter” is selected, this parameter determines
the filter type.
Fine 1, 2 Determines the pitch finely for each of the 1st series and 2nd
series.
Gate Time Determines the gate time of the sliced portion.
Height Determines the height of the simulated room.
Hi Resonance Adjusts the resonance of the high frequencies.
High Attack Determines the amount of time from the moment a note is
pressed to the moment the compressor is applied to the high
frequencies.
High Gain Determines the output gain for the high frequencies.
High Level Determines the level of the high frequencies.
High Mute Switches the mute status of the high frequencies.
High Ratio When “REV-X Hall” or “REV-X Room” is selected, this
parameter determines the ratio of the high frequencies.
When “Multi Band Comp” is selected, this parameter
determines the ratio of the compressor for the high
frequencies.
High Threshold Determines the minimum input level at which the effect is
applied to the high frequencies.
Horn Speed Fast Determines the speed of the horn when the slow/fast switch
is set to “fast.”
Horn Speed Slow Determines the speed of the horn when the slow/fast switch
is set to “slow.”
Initial Delay Determines the amount of time that elapses between the
direct, original sound and the initial reflections.
Initial Delay 1, 2 Determines the delay time until the initial reflection for each of
the 1st series and 2nd series.
Initial Delay Lch, Rch Determines the amount of time that elapses between the
direct, original sound and the initial reflections (echoes) that
follow it for each of R and L channels.
Input Level Determines the input level of the signal to which the
compressor is applied.
Input Mode Selects mono or stereo configuration for the input sound.
Input Select Selects an input channel.
L/R Depth Determines the depth of the L/R pan effect.
L/R Diffusion Determines the spread of the sound.
Lag Determines the lagging time additionally applied to the
delayed sound specified via a note length.
LFO Depth When one of “SPX Chorus,” “Symphonic,” “Classic Flanger,”
and “Ring Modulator” is selected, this parameter determines
the depth of the modulation.
When “Tempo Phase” is selected, this parameter determines
the frequency of the phase modulation.
LFO Phase Difference Determines the L/R phase difference of the modulated wave.
LFO Phase Reset Determines how to reset the initial phase of the LFO.
LFO Speed When one of the chorus effects, flanger effects, tremolo and
ring modulator is selected, this parameter determines the
frequency of the modulation.
When “Tempo Phaser” is selected, this parameter determines
the modulation speed via a note type.
When “Auto Pan” is selected, this parameter determines the
frequency of the Auto Pan.
LFO Wave When any of the flanger effects or “Ring Modulator” is
selected, this parameter selects the wave for modulation.
When “Auto Pan” is selected, this parameter determines the
panning curve.
When “VCM Auto Wah” is selected, this parameter selects
the wave, sine or square.
Liveness Determines the decay characteristic of Early Reflection.
Low Attack Determines the amount of time from the moment a note is
pressed to the moment the compressor is applied to the low
frequencies.
Low Gain Determines the output gain for the low frequencies.
Low Level Determines the output level for the low frequencies.
Low Mute Determines whether the low frequency band is off or on.
Low Ratio When “REV-X Hall” or “REV-X Room” is selected, this
parameter determines the ratio of the low frequencies.
When “Multi Band Comp” is selected, this parameter
determines the ratio of the compressor for the low
frequencies.
Low Threshold Determines the minimum input level at which the effect is
applied to the low frequencies.
LPF Resonance Determines the resonance of the low pass filter for the input
sound.
Parameter name Description